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・ Wang Zhizhi
・ Wang Zhong
・ Wang Zhong (Han dynasty)
・ Wang Zhong (Ming dynasty)
・ Wang Zhongcheng
・ Wang Zhonghua
・ Wang Zhonglian
・ Wang Zhongshu
・ Wang Zhongsi
・ Wang Zhongyu
・ Wang Zhouzhou
・ Wang Zhu
・ Wang Zhuxi
・ Wang Zi
・ Wang Zi-Ping
Wang Zigan
・ Wang Zihao
・ Wang Zihui
・ Wang Zili
・ Wang Ziling
・ Wang Ziyun
・ Wang Zongbi
・ Wang Zongdi
・ Wang Zongji
・ Wang Zongyue
・ Wang Zuanxu
・ Wang Zuo
・ Wang'an, Penghu
・ Wang's Family
・ Wang, Austria


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Wang Zigan : ウィキペディア英語版
Wang Zigan

Wang Zigan (Chinese:王子淦) (April 18, 1920 - February 16, 2000)〔Wang, Zigan (2004), pp. 11, 33.〕 was a modern papercutting artist, master of arts and crafts, and famous Shanghai-style papercutter.〔《中国当代剪纸家》,刘继成主编,1993,p. 8.〕 His works contain both the delicacy of the South and the outgoingness of the North,〔《巧夺天工——中外工艺艺术鉴赏》,黄幼钧著,第99页〕 ranging from flowers and grass to insects, birds, and beasts.〔(Shanghai Museum of Arts and Crafts )〕 His most important representative works are "The crowing of the cock" (Chinese: 一唱雄鸡天下白), "Chicken eats centipede" (Chinese: 鸡吃蜈蚣), etc. His "Selected papercutting works of Wang Zigan" (Chinese: 王子淦剪纸选) was published. He once published "History of Shanghai papercutting" (Chinese: 上海剪纸今夕) and "The creation of papercutting" (Chinese: 剪纸艺术的创新).〔《剪纸艺术》,鲍家虎著,第93页〕
==Early life==
Wang was born to a poor peasant family in Jinsha Town (Chinese: 金沙镇), Nantong, Jiangsu Province.〔“神剪”仙逝——回忆父亲的剪纸生涯, 王建中, 上海工艺美术, Shanghai Arts & Crafts, 2000年02期〕 He came to Shanghai with his uncle at the age of 13 and began to learn the art of papercutting from the street artist Wu Wanheng (Chinese: 武万恒). He was quick to learn the skills, and set up a stand to sell papercut works by the street near the New Town God's Temple (Chinese: 新城隍庙). Baixianqiao (Chinese: 八仙桥) or other down town areas. Over the years, Wang cut tens of thousands of papercut works or embroidery patterns which were distributed among urban and rural areas. Even so, his family, including six members, experienced hunger and lived in poverty for years. As a papercut artist, his life was poor and his artistic value was never officially recognized. However, Wang hoped that this folk art could be handed down so that he could live on it.
With the care of the Communist Party and the Government after 1949, Wang began to work in Shanghai Arts and Crafts Studio (Chinese: 工艺美术研究室; now Shanghai Arts and Crafts Institution, 上海工艺美术研究所). Seeing the wide difference in life of the present day from the old times and what life meant to him, he loved the work as well as the new China.〔Wang, Zigan (2004), p. 2.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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